OLD AND MODERN PAINTINGS FOR MUSEUMS, FOUNDATIONS, AND PRIVATE COLLECTIONS
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French art in the 19th and 20th centuries defies easy classification. The hallmark of the French School might simply be thought of as brilliant diversity. This is seen in the work of the painters who flourished in Paris as well as the provinces and regional cities from 1840 to 1920. In the 18th century the Paris Salon pretty much ruled and defined everything. This slowly changed in the 19th century when definitions and rules were dropped, changed, abridged or discarded. The idealized landscape, for instance, lasted into the 1820s but soon was replaced by the Barbizon landscape which continued into the 20th century alongside the Impressionist and Post-Impressionist landscape. Academic values in genre scenes were supplanted by Realism and Naturalism. The result of this brilliant diversity can be seen in the collapse of the Paris Salon by the 1890s. But more immediately and specifically it can be seen in the collapse of History Painting and the rise of Popular Realist Genre, Avant-Garde Realist Genre, Symbolism and Expressionism.
French School
Un soir dans les Cévennes
Jacques-Alfred Brielman
(1836-1892)
Oil on canvas
Signed, lower left
64 3/4 x 102 3/4 inches
72 x 110 inches, framed
Cat Family at an Evening Meal
Victor Demongin
(Born 1873)
Oil on canvas
Signed, lower left
18 1/4 x 21 3/4 inches
24 x 27 3/4 inches, framed
Le Bouquet
Delphin Enjrolas
(1857-1945)
Pastel, Signed
28 1/4 x 20 5/8 inches
36 1/4 x 287/8 inches, framed
Fées Danse
Georges Picard
(1857-1942)
Oil on canvas
Signed “G. Picard”, lower left
38 2/3 x 31 1/4 inches
46 7/8 x 39 3/8 inches, framed
Devant le Guignol
Jean Jules Henri Geoffroy
(1853-1924)
Gouache
Signed ‘Geo,’ lower right
22 1/4 x 16 inches
32 5/8 x 26 1/2 inches, framed
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The First Dance
Édouard Toudouze
(1848-1907)
Oil on canvas
Signed, lower left
68 ¾ x 83 inches
75 ⅛ x 89 ⅜ inches, framed
La Répétition Générale, 1924 (The Final Dress Rehearsal)
Paul Charles Chocarne-Moreau
(1855-1931)
Oil on canvas
Signed and dated “Chocarne-Moreau 1924”, lower right
39 3/8 x 31 7/8 inches
48 ¼ x 41 ¼ inches, framed
Bouquet of Flowers in a Vase
Léonie Desouches née Blondel
19th Century
Oil on canvas
Signed, lower left
30 x 15 3/4 inches
37 5/8 x 23 ½ inches, framed
Le plus court chemin (The Shortest Way)
Augustin-Marie-Paul Marcotte de Quivières
(1854-1907)
Oil on canvas
Signed ‘P. Marcotte de Quivières’ and
dated ‘1881', lower left
31 x 43 inches
43½ x 55½ inches, framed
Couple in Green Park
Jean-Gabriel Domergue
(1889-1962)
Oil on panel
Signed, lower left, and inscribed ‘Green Park’
on reverse
13 1/16 x 9 ½ inches
20 ¾ x 17 ¼ inches, framed
Rendezvous at the Well
Louis Robert Carrier-Belleuse
(1848-1913 )
Oil on canvas
Signed
13 ⅞ x 10 ⅝ inches
21 ½ x 18 ¾ inches, framed
Bouquet de fleurs
Émile Godchaux (or Godechaux)
(1860-1938)
Oil on canvas
Signed ‘Godchaux,’lower right
36 ¼ x 25 ½ inches
44 x 33 ¼ inches, framed
Vase de fleurs sur en entablement
Pierre-Camille Gontier
Ca. 1840
Oil on canvas
Signed with initials, lower right
36 ½ x 25 ⅞ inches
44 x 33 ¼ inches, framed
