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OLD AND MODERN PAINTINGS FOR MUSEUMS, FOUNDATIONS, AND PRIVATE COLLECTIONS 
510 ST. LOUIS STREET • NEW ORLEANS, LOUISIANA 70130
TELEPHONE 504.524.5462 • FAX 504.524.6233 • E-MAIL keschon1@bellsouth.net
  
Impressionists

Baignade en barque à Rolleboise, Circa 1920
Maximilien Luce
(1858-1941)
Oil on canvas
Signed, lower right
18 1/4 x 10 1/4 inches 
27 x 19 1/2  inches, framed

Pêcheur en Barque au Bord de la Rivière
Pierre-Eugène Montezin
(1874-1946)
Gouache on board
Signed, lower right
13 1/4  x 19 1/4  inches; 
16 x 21 3/4  inches, framed

Rolleboise, Bord de Seine
Maximilien Luce
(1858-1941)
Oil on canvas
Signed, lower right
10 3/4  x 18 1/4   inches;
19 1/2  x 27 inches, framed

Radicals in their time, early Impressionists violated the rules of academic painting.  They began by constructing their pictures from freely brushed colors that took precedence over lines and contours.  They also painted realistic scenes of modern life and often painted outdoors. Previously, still lifes and portraits as well as landscapes had usually been painted in the studio. The Impressionists found that they could capture the momentary and transient effects of sunlight by painting 'en plein air'. They portrayed overall visual effects instead of details, and used short "broken" brush strokes of mixed and pure unmixed color—not blended smoothly or shaded, as was customary—in order to achieve the effect of intense color vibration.  Encompassing what its adherents argued was a different way of seeing, it was an art of immediacy and movement, of candid poses and compositions, of the play of light expressed in a bright and varied use of color.
Lunch on the Terrace
Julius Schmid
(1854-1935)
Oil on canvas
Signed ‘Schmid,’ lower right
25 1/2 x 32 inches
38 1/2 x 44 1/2 inches, framed
Dame au bouquet
Gaston Wallaert
(1889-1954)
Oil on canvas
Signed “G. Wallaert 19,” upper right
28 1/2 x 21 inches
44 x 31 1/2 inches, framed
de Pêche (Fishing)
Daniel Ridgway Knight
(1839-1924)
Oil on canvas
Signed and inscribed ‘Ridgway Knight Paris,’ lower right
18 3/4 x 22 inches
29 1/2 x 33 inches, framed
Pont de Pierre pres du Village
Adolphe Clary-Baroux
(1865-1933)
Oil on canvas
Signed, lower left
18 1/4 x 24  inches
26 x 32 inches, framed
Femme cousant
Daniel Ridgway Knight
(1839-1924)
Watercolor
Signed and inscribed ‘Ridgway Knight Paris 1883,’ lower left
10 x 14 inches
19 5/8 x 23 3/4 inches, framed
Femme dan les pâturages 
Daniel Ridgway Knight
(1839-1924)
Watercolor
Signed and inscribed ‘Ridgway Knight Paris 1883,’ lower left
10 x 14 inches
19 5/8 x 23 3/4 inches, framed
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Seated Girl with Flowers
Daniel Ridgway Knight
(1839-1924)
Oil on Canvas
Signed and inscribed ‘Daniel
Ridgway Knight Paris,’ lower right
32 3/4 x 25 7/8 inches
41 5/8 x 34 3/4  inches, framed